Brave for so long

But two there are, shadow us everywhere

And will not let us be till we are dead,

Hardening the bones, keeping the spirit spare,

Original in water, earth and air,

Our bitter cordial, our daily bread.

Turning over old follies in ante-room,

For first-born waiting or for late reprieve,

Watching the safety-valve, the slackening loom

Abed, abroad, at every turn and tomb

A shadow starts, a hand is on your sleeve.

Oh you, my comrade, now or tomorrow flayed

Alive, crazed by the nibbling nerve; my friend

Whom hate has cornered or whom love betrayed,

By hunger sapped, trapped by a stealthy tide,

Brave for so long but whimpering in the end.

Such are the temporal princes, fear and pain,

Whose borders march with the ice-fields of death,

And from that servitude escape there's none

Till in the grave we set up house alone

And buy our liberty with our last breath.

C Day Lewis

from The magnetic mountain (part I; 2).

(Picture: Alan Lee)

Mirror of Erised

Harry was so close to the mirror now that his nose was nearly touching that of his reflection.

'Mum?' he whispered. 'Dad?'

They just looked at him, smiling. And slowly, Harry looked into the faces of the other people in the mirror and saw other pairs of green eyes like his, other noses like his, even a little old man who looked as though he had Harry's knobbly knees -- Harry was looking at his family, for the first time in his life.

The Potters smiled and waved at Harry and he stared hungrily back at them, his hands pressed flat against the glass as though he was hoping to fall right through it and reach them. He had a powerful kind of ache inside him, half joy, half terrible sadness.

How long he stood there, he didn't know. The reflections did not fade and he looked and looked until a distant noise bought him back to his senses. He couldn't stay here, he had to find his way back to bed. He tore his eyes away from his mother's face, whispered, 'I'll come back,' and hurried from the room.

From Harry Potter and the Philosopher's Stone

by J K Rowling.

This passage is translated into Latin at Petrona.

"It is no doubt the chief work of my life"

The success of the Origin may, I think, be attributed in large part to my having long before written two condensed sketches, and to my having finally abstracted a much larger manuscript, which was itself an abstract. By this means I was enabled to select the more striking facts and conclusions. I had, also, during many years, followed a golden rule, namely that, whenever a published fact, a new observation or thought came across me, which was opposed to my general results, to make a memorandum of it without fail and at once; for I had found by experience that such facts and thoughts were far more apt to escape from the memory than favourable ones. Owing to this habit, very few objections were raised against my views which I had not at least noticed and attempted to answer.
It has sometimes been said that the success of the Origin proved "that the subject was in the air", or "that men's minds were prepared for it." I do not think that this is strictly true, for I occasionally sounded not a few naturalists, and never happened to come across a single one who seemed to doubt about the permanence of species. Even Lyell and Hooker, though they would listen with interest to me, never seemed to agree. I tried once or twice to explain to able men what I meant by natural selection, but signally failed. What I believe was strictly true is that innumerable well-observed facts were stored in the minds of naturalists, ready to take their proper places as soon as any theory which would receive them was sufficiently explained. Another element in the success of the book was its moderate size; and this I owe to the appearance of Mr Wallace's essay; had I published on the scale in which I began to write in 1856, the book would have been four or five times as large as the Origin, and very few would have had the patience to read it.

Charles Darwin
from "My several publications".

Horses on the Camargue

My first experience of the fierce winds of Provence on my recent holiday made the words of my favourite childhood poem echo in my head. This poem is the first one in the school exercise book into which I began copying poems at the age of 14.

Horses on the Camargue
Roy Campbell


In the grey wastes of dread
The haunt of shattered gulls where nothing moves
But in a shroud of silence like the dead,
I heard a sudden harmony of hooves,
And, turning, saw afar
A hundred snowy horses unconfined,
The silver runaways of Neptune's car
Racing, spray-curled, like waves before the wind.
Sons of the Mistral, fleet
As him with whose strong gusts they love to flee,
Who shod the flying thunders on their feet
And plumed them with the snortings of the sea;
Theirs is no earthly breed
Who only haunt the verges of the earth
And only on the sea's salt herbage feed --
Surely the great white breakers gave them birth.
For when for years a slave,
A horse of the Camargue, in alien lands.
Should catch some far-off fragrance of the wave
Carried far inland from his native sands,
Many have told the tale
Of how in fury, foaming at the rein,
He hurls his rider; and with lifted tail,
With coral-red eyes and cataracting mane,
Heading his course for home,
Though sixty foreign leagues before him sweep,
Will never rest until he breathes the foam
And hears the native thunder of the deep.
But when the great gusts rise
And lash their anger on these arid coasts,
When the scared gulls career with their mournful cries
And whirl across the waste like driven ghosts:
When hail and fire converge,
The only souls to which they strike no pain
Are the white-crested fillies of the surge
And the white horses of the windy plain.
Then in their strength and pride
The stallions in the wilderness rejoice;
They feel their master's trident in their side,
And high and shrill they answer to his voice.
With white tails smoking free,
Long streaming manes, and arching necks, they show
Their kinship to their sisters of the sea --
And foreward hurl their thunderbolts of snow.
Still out of hardship bred,
Spirits of power and beauty and delight
Have ever on such frugal pastures fed
And loved to course with tempests through the night.

Inlets of the heart

"Keep a guard over your eyes and ears as the inlets of your heart, and over your lips as the outlet, lest they betray you in a moment of unwariness. Receive, coldly and dispassionately, every attention, till you have ascertained and duly considered the worth of the aspirant; and let your affections be consequent upon approbation alone. First study; then approve; then love. Let your eyes be blind to all external attractions, your ears deaf to all the fascinations of flattery and light discourse -- These are nothing -- and worse than nothing -- snares and wiles of the tempter, to lure the thoughtless to their own destruction. Principle is the first thing, after all; and next to that, good sense, respectability, and moderate wealth. If you should marry the handsomest, and most accomplished and superficially agreeable man in the world, you little know the misery that would overwhelm you, if, after all, you should find him to be a worthless reprobate, or even an impractical fool. "